Saturday, 17 August 2019

WOMAN, SOURCE OF LIFE: ART EXHIBITION - EU-MAN (The European Union Migrant Artists Network)




Arts is among the strongest medium for change in society.
Throughout history, we find remnants of archaeological findings of the art that abounds in many modern societies of today as references to support this.
As society and culture are constantly in flux, they absorb new influences which are made possible through contact with other cultures, contacts, mostly through new migrants.
In this way, culinary culture, dress culture, architecture, music, visual arts and more are modified using the newly adapted influences.

In Finland, the signs of adapted influences are not hard to find, just like in every other nation of the world, and these influences help in no little way to beautify the society and make it more dear to the rest of the world.
For these influences to be made available, we need what I may term; Influence Generators.
It takes a certain kind of individual, and groups to supply the tools that will help to generate the process of change, it also requires resilience, patience, and persistent continuity to qualify as an influence generator.

EU-MAN, The European Migrants Artists Network fitted very well into the above category as influence generator. The organization through the resilience of its founder, and Chairman, Amir Khatib has made much impact in the art circle in Finland and around Europe since its formation in 1997, some 22 years ago. 
The organization over these years have conducted dozens of exhibition in Finland and around Europe, which featured all together over 100 European Migrant artists.
The impacts of these exhibitions have been quite awesome, considering the huge wave of diversity they portrayed.

WOMAN, SOURCE OF LIFE EXHIBITION
EU-MAN recently donned a new cap on Thursday the 15th of August 'Helsinki City Night of The Arts' when it opened the 'Woman, Source of Life Exhibition.
The opening had quite an impressive turnout even considering the fact that it took place on a day the entire city was superinfused with artistic happenings.



The exhibition featured the works of 44 artists, and it included paintings in different mediums, carvings, and installations.
The opening of the exhibition was by JP (Juha-Pekka) Väisänen, a conceptual artist, cum Politician, (PJ is the present chairperson of the Finnish Communist Party, (SKP)
In his opening speech, Väisänen emphasized the importance of the exhibition in the ongoing debate on good society, the role of the artist and change.
He thinks that the best thing about the exhibition is that the works challenge the viewer to want to know the worlds behind the pictures.
Väisänen urges the government of Antti Rinne to increase the percentage of funding for arts and culture of the state 
budget.

JP (Juha-Pekka) Väisänen, a conceptual artist, cum Politician



(Excerpt from Väisänen's speech)
The Rinne government, which calls itself a leftist government, must do better today, with circular pledges and long-term action to change the situation today. Artists, and in particular migrant artists and their interest groups such as EU MAN, need basic everyday security, salary for the artist's work and funding for organizations.

We artists have a role to play. We need to demand a more prominent place and pay for our work as artists and organizations. I think the role of art is to be like life, enable participation and change the world. The artist's task is also a challenge where everyone has the freedom to define their own work and their goals.

The 44 artists in this exhibition challenge us for a discussion. I dare say that the organizers of the exhibition, the European Union Migrant Artist Network, the curators Saad Al Falahi and Amir Khatib are challenging us, the viewers to ask until the beauty is just in our eyes.
This exhibition brings information, perspectives, and speeches to the Finnish debate, without which it would not be possible without immigrant artists.

The role of the Immigrant Artists' Association in stimulating public debate on good society, human rights, equality, participatory democracy, and tolerance is essential. I argue that this exhibition is also a challenge to want to know more about what is behind these pictures. Why a woman hanging on a cross

EU-MAN with this additional cap has shown that it has no plans on relenting on its goal as stated on their website with the caption – WhyWe Started:
"On a bird's wing, a bird that I have never and shall never see and from a long time, I came to the furthest north, to Finland.
More than a decade and a half and I am still braiding my black hair to be a bridge to pass.
Our worried eyes collected all the love to tell you that we were here, lied, interacted and did… yes, we did that all in a field that is considered the lung by which all humans are breathing; it is the art field, especially the visual art. It is the swing of love to draw the future.
Art is the language that everybody understands, it is like love, I would not say like politics. Our aim in principle was to declare the movement within a third culture* in the arts field; it is a cultural human goal as we are more than 28 million immigrants in Europe and some of us are Europeans by feelings and future. Maybe we are different from the roots, but branches are in Europe and they will remain as such”

The Woman, Source of Life Exhibition is still open
15 August to 1st September
Curators:
Saad Al Falahi
Amir Khatib

Amir Khatib, Chairman European Union Migrant Artists Network

                                                                               








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